| Type | work | bureau |
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| Year / years | 2003 | 1981 |
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| Place | Muromachi, Muromachi, Japan | Genoa, Liguria, Italy |
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| Place context | 国道199号, 小倉北区, 室町一丁目, 北九州市, 日本 | Representative site: South Michigan Avenue, Loop, Jewelers Row, Chicago, Illinois, United States |
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| Climate | 15°C · 13.0h daylight · 15 km/h wind | 25°C · 13.3h daylight · 19 km/h wind · via Art Institute of Chicago |
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| Focus | Museum | 23 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Art Institute of Chicago
- Harvard Art Museums
- High Museum of Art
- NEMO (museum)
|
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| Typologies | - museum
- performance venue
- office
| - museum
- landscape
- education
- campus building
- house
- building
- sports venue
- gallery
|
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| Materials | Not recorded yet. | |
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| Carbon signals | museum, performance venue, and office gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 14 of 14 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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