| Type | work | bureau |
|---|
| Year / years | 2016 | Unrecorded |
|---|
| Place | Lisbon, Lisbon, Portugal | San Francisco, California, United States |
|---|
| Place context | Lisbon, Lisbon, Portugal | Representative site: Chicago, Chicago, United States |
|---|
| Climate | 19°C · 13.5h daylight · 4 km/h wind | 9°C · 13.6h daylight · 19 km/h wind · via Art Institute of Chicago |
|---|
| Focus | Museum | 52 works in corpus |
|---|
| Architects | No architects linked yet. | - Renzo Piano
- Renzo Piano Building Workshop
|
|---|
| Linked context | Bureaus No linked context yet. | Notable works - Art Institute of Chicago
- Harvard Art Museums
- High Museum of Art
- NEMO (museum)
|
|---|
| Typologies | - museum
- art museum
- waterfront building
| - museum
- landscape
- education
- campus building
- house
- cultural
- cultural center
- infrastructures
|
|---|
| Materials | | - aluminum
- stone
- timber
- steel
- glass
- concrete
|
|---|
| Carbon signals | Concrete and Ceramic Tile look like the main embodied-carbon drivers in the current palette. | Aluminum, Concrete, and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 27 of 27 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|