| Type | work | bureau |
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| Year / years | 1924 | Unrecorded |
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| Place | Lima, Lima Province, Peru | San Francisco, California, United States |
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| Place context | Lima, Lima Province, Peru | Representative site: Chicago, Chicago, United States |
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| Climate | 22°C · 11.8h daylight · 13 km/h wind | 8°C · 13.6h daylight · 11 km/h wind · via Art Institute of Chicago |
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| Focus | Hotel | 52 works in corpus |
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| Architects | | - Renzo Piano
- Renzo Piano Building Workshop
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| Linked context | Bureaus | Notable works - Art Institute of Chicago
- Harvard Art Museums
- High Museum of Art
- NEMO (museum)
|
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| Typologies | - hotel
- historic building
- urban landmark
| - museum
- landscape
- education
- campus building
- house
- cultural
- cultural center
- infrastructures
|
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| Materials | - masonry
- concrete
- ornamental stone
| - aluminum
- stone
- timber
- steel
- glass
- concrete
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| Carbon signals | Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette. | Aluminum, Concrete, and Steel look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Publicly accessible | 27 of 27 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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