| Type | work | bureau |
|---|
| Year / years | Unknown | 1890 |
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| Place | Vicenza, Vicenza, Italy | Aguascalientes, Aguascalientes, Mexico |
|---|
| Place context | Stradella del Teatro Olimpico, Barche, Vicenza, Veneto, Italia | Representative site: Zaragoza, Barrio de la Purísima, Aguascalientes, Aguascalientes, México |
|---|
| Climate | 10°C · 13.4h daylight · 2 km/h wind | 20°C · 12.6h daylight · 2 km/h wind · via Temple of Saint Anthony of Padua |
|---|
| Focus | Performance venue | 4 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Temple of Saint Anthony of Padua
- Aguascalientes Museum
- Museum of Contemporary Art (Aguascalientes)
- Castillo Douglas
|
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| Typologies | | - church
- sacred space
- temple
- museum
- gallery
- house
- infrastructure
|
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| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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