| Type | work | bureau |
|---|
| Year / years | 1930 | 1983 |
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| Place | Montevideo, Montevideo Department, Uruguay | New York, New York, United States |
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| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Cleveland, Cleveland, United States |
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| Climate | 19°C · 11.0h daylight · 13 km/h wind | 0°C · 13.6h daylight · 6 km/h wind · via Cleveland Museum of Art |
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| Focus | House museum | 18 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Cleveland Museum of Art
- Jazz at Lincoln Center
- Tokyo International Forum
- Jongno Tower
|
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| Typologies | | - museum
- education
- campus building
- house
- performance venue
- civic building
- tower
- office
|
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| Materials | | |
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| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Concrete and Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 14 of 14 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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