| Type | work | bureau |
|---|
| Year / years | 1991 | 1983 |
|---|
| Place | Central Florida Tourism Oversight District, Central Florida Tourism Oversight District, United States | New York, New York, United States |
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| Place context | Central Florida Tourism Oversight District, Central Florida Tourism Oversight District, United States | Representative site: Cleveland, Cleveland, United States |
|---|
| Climate | 17°C · 13.0h daylight · 13 km/h wind | 2°C · 13.6h daylight · 26 km/h wind · via Cleveland Museum of Art |
|---|
| Focus | House | 18 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Arata Isozaki & Associates
| Notable works - Cleveland Museum of Art
- Jazz at Lincoln Center
- Tokyo International Forum
- Jongno Tower
|
|---|
| Typologies | | - museum
- education
- campus building
- house
- performance venue
- civic building
- tower
- office
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | house and office gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
|---|
| Accessibility | Access not recorded | 14 of 14 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|
