Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hero image

1964 · Sekiguchi, Sekiguchi, Japan

St. Mary's Cathedral, Tokyo image

Seat of the Roman Catholic Archdiocese of Tokyo

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

St. Mary's Cathedral, Tokyo

Sekiguchi, Sekiguchi, Japan · Exact work coordinates

Focused slot

Hero image

Seat of the Roman Catholic Archdiocese of Tokyo

Credit:

Rights: Unknown · unknown

Comparison

Field	St. Mary's Cathedral, Tokyo 1964 · Sekiguchi, Sekiguchi, Japan	Rafael Vinoly Architects 1983 · New York, New York, United States
Type	work	bureau
Year / years	1964	1983
Place	Sekiguchi, Sekiguchi, Japan	New York, New York, United States
Place context	Sekiguchi, Sekiguchi, Japan	Representative site: Cleveland, Cleveland, United States
Climate	23°C · 13.3h daylight · 4 km/h wind	3°C · 13.6h daylight · 8 km/h wind · via Cleveland Museum of Art
Focus	Sacred building	18 works in corpus
Architects	Kenzo Tange	Rafael Vinoly
Linked context	Bureaus Kenzo Tange Associates	Notable works Cleveland Museum of Art Jazz at Lincoln Center Tokyo International Forum Jongno Tower
Typologies	cathedral sacred space	museum education campus building house performance venue civic building tower office
Materials	Not recorded yet.	stone concrete
Carbon signals	cathedral and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.	Concrete and Stone look like the main embodied-carbon drivers in the current palette. Concrete Stone
Lower-carbon levers	No levers surfaced yet.	Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps. Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
Accessibility	Publicly accessible	14 of 14 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.