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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Mercado Roma in Mexico City, Mexico
Mercado Roma

Unknown · Mexico City, Mexico City, Mexico

Mercado Roma image

Building

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Mercado Roma

Mexico City, Mexico City, Mexico · Exact work coordinates

OpenStreetMap
Field
Mercado RomaMercado Roma

Unknown · Mexico City, Mexico City, Mexico

Rafael Vinoly ArchitectsRafael Vinoly Architects

1983 · New York, New York, United States

Typeworkbureau
Year / yearsUnknown1983
PlaceMexico City, Mexico City, MexicoNew York, New York, United States
Place contextAvenida Querétaro, Roma, Roma Norte, Ciudad de México, Ciudad de México, MéxicoRepresentative site: Wade Oval Drive, Magnolia-Wade Park Historic District, Cleveland, Ohio, United States
Climate13°C · 12.7h daylight · 5 km/h wind0°C · 13.6h daylight · 6 km/h wind · via Cleveland Museum of Art
FocusArchitecture18 works in corpus
Architects
  • Michel Rojkind
  • Rafael Vinoly
Linked context

Bureaus

  • Rojkind Arquitectos

Notable works

  • Cleveland Museum of Art
  • Jazz at Lincoln Center
  • Tokyo International Forum
  • Jongno Tower
Typologies
  • building
  • museum
  • education
  • campus building
  • house
  • performance venue
  • civic building
  • tower
  • office
Materials

Not recorded yet.

  • stone
  • concrete
Carbon signals

building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityAccess not recorded14 of 14 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.