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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

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Image 1

Kimbell Art Museum

1972 · Fort Worth, Texas, United States

Fort Worth, Texas, United States

20°C · 13.3h daylight · 14 km/h wind

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Kimbell Art Museum

Fort Worth, Texas, United States · City-level coordinates only

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Focused slot

Kimbell Art Museum

Image 1

Fort Worth, Texas, United States

Climate: 20°C · 13.3h daylight · 14 km/h wind

Mapping: City-level coordinates only

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Comparison

Field
Kimbell Art MuseumKimbell Art Museum

1972 · Fort Worth, Texas, United States

Rafael Vinoly ArchitectsRafael Vinoly Architects

1983 · New York, New York, United States

Typeworkbureau
Year / years19721983
PlaceFort Worth, Texas, United StatesNew York, New York, United States
Place contextFort Worth, Texas, United StatesRepresentative site: Cleveland, Cleveland, United States
Climate20°C · 13.3h daylight · 14 km/h wind11°C · 13.7h daylight · 3 km/h wind · via Cleveland Museum of Art
FocusMuseum18 works in corpus
Architects
  • Louis Kahn
  • Rafael Vinoly
Linked context

Bureaus

  • Louis Kahn

Notable works

  • Cleveland Museum of Art
  • Jazz at Lincoln Center
  • Tokyo International Forum
  • Jongno Tower
Typologies
  • museum
  • art museum
  • cultural building
  • museum
  • education
  • campus building
  • house
  • performance venue
  • civic building
  • tower
  • office
Materials
  • concrete
  • travertine
  • aluminum
  • stone
  • concrete
Carbon signals

Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette.

  • Aluminum
  • Concrete
  • Travertine

Concrete and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Stone
Lower-carbon levers
  • Focus on recycled content, lighter assemblies, and careful facade-specification choices.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible14 of 14 recorded works are publicly accessible
Related books

No linked books yet.