saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Tokyo Metropolitan Art Museum

1926 · Ueno-kōen, Ueno-kōen, Japan

Ueno-kōen, Ueno-kōen, Japan

20°C · 13.3h daylight · 2 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tokyo Metropolitan Art Museum

Ueno-kōen, Ueno-kōen, Japan · Exact work coordinates

OpenStreetMap

Tokyo Metropolitan Art Museum

Image 1

Ueno-kōen, Ueno-kōen, Japan

Climate: 20°C · 13.3h daylight · 2 km/h wind

Mapping: Exact work coordinates

Field
Tokyo Metropolitan Art Museum

1926 · Ueno-kōen, Ueno-kōen, Japan

Porfírio Pardal MonteiroPorfírio Pardal Monteiro

1925 · Lisbon, Lisbon District, Portugal

Typeworkbureau
Year / years19261925
PlaceUeno-kōen, Ueno-kōen, JapanLisbon, Lisbon District, Portugal
Place contextUeno-kōen, Ueno-kōen, JapanRepresentative site: Misericórdia, Misericórdia, Portugal
Climate20°C · 13.3h daylight · 2 km/h wind14°C · 13.4h daylight · 5 km/h wind · via Cais do Sodré railway station
FocusMuseum4 works in corpus
Architects
  • Kunio Maekawa
  • Porfirio Pardal Monteiro
Linked context

Bureaus

  • Mayekawa Associates

Notable works

  • Cais do Sodré railway station
  • Alcântara Maritime Terminal
  • Church of Our Lady of the Rosary of Fátima
  • Hotel Ritz (Lisbon)
Typologies
  • museum
  • landscape
  • building
  • church
  • sacred space
  • hospitality
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, church, sacred space, and hospitality gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.