| Type | work | bureau |
|---|
| Year / years | 2001 | 1925 |
|---|
| Place | Milwaukee, Wisconsin, United States | Lisbon, Lisbon District, Portugal |
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| Place context | North Art Museum Drive, Downtown, Milwaukee, Wisconsin, United States | Representative site: Ciclovia Avenida 24 de Julho, Santa Catarina, Lisboa, Portugal |
|---|
| Climate | 18°C · 13.4h daylight · 7 km/h wind | 20°C · 13.2h daylight · 9 km/h wind · via Cais do Sodré railway station |
|---|
| Focus | Museum | 4 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Cais do Sodré railway station
- Alcântara Maritime Terminal
- Church of Our Lady of the Rosary of Fátima
- Hotel Ritz (Lisbon)
|
|---|
| Typologies | - museum
- art museum
- waterfront building
| - building
- church
- sacred space
- hospitality
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | building, church, sacred space, and hospitality gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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