| Type | work | bureau |
|---|
| Year / years | 2017 | 1960 |
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| Place | Hamburg, Hamburg, Germany | Amsterdam, North Holland, Netherlands |
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| Place context | Tube, HafenCity, Quartier Am Sandtorkai/Dalmannkai, Hamburg, Deutschland | Representative site: Gedempte Zuiderdiep, Centrum, Binnenstad-zuid, Groningen, Groningen, Nederland |
|---|
| Climate | 8°C · 13.8h daylight · 7 km/h wind | 6°C · 13.8h daylight · 12 km/h wind · via Academie Minerva |
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| Focus | Concert hall | 3 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Academie Minerva
- Cube house
- Theater 't Speelhuis
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - building
- housing
- house
- performance venue
|
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| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | building, housing, house, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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