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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Weisman Art Museum in Minneapolis, United States
Weisman Art Museum

1934 · Minneapolis, Minneapolis, United States

Weisman Art Museum image

Art museum in Minneapolis, MN

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Weisman Art Museum

Minneapolis, Minneapolis, United States · Exact work coordinates

OpenStreetMap
Field
Weisman Art MuseumWeisman Art Museum

1934 · Minneapolis, Minneapolis, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years19341932
PlaceMinneapolis, Minneapolis, United StatesRome, Lazio, Italy
Place contextMinneapolis, Minneapolis, United StatesRepresentative site: Turin, Turin, Italy
ClimateClimate unavailable17°C · 13.8h daylight · 9 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • Frank Gehry
  • Pier Luigi Nervi
Linked context

Bureaus

  • Gehry Partners

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • gallery
  • education
  • campus building
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials

Not recorded yet.

  • concrete
Carbon signals

museum, gallery, education, and campus building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.