| Type | work | bureau |
|---|
| Year / years | 1958 | 1932 |
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| Place | Melbourne, Victoria, Australia | Rome, Lazio, Italy |
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| Place context | Melbourne, Victoria, Australia | Representative site: Turin, Turin, Italy |
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| Climate | 21°C · 11.0h daylight · 10 km/h wind | 13°C · 13.8h daylight · 5 km/h wind · via Torino Esposizioni |
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| Focus | House | 5 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
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| Typologies | - house
- residential
- modernism
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
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| Materials | | |
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| Carbon signals | Brick and Glass look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Private or restricted | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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