| Type | work | bureau |
|---|
| Year / years | 1930 | 1932 |
|---|
| Place | Montevideo, Montevideo Department, Uruguay | Rome, Lazio, Italy |
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| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Turin, Turin, Italy |
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| Climate | 19°C · 11.1h daylight · 10 km/h wind | 16°C · 13.8h daylight · 12 km/h wind · via Torino Esposizioni |
|---|
| Focus | House museum | 5 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | | - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
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| Materials | | |
|---|
| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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