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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hero image

1956 · Sendagaya, Sendagaya, Japan

Tokyo Metropolitan Gymnasium image

Sporting complex in Sendagaya, Shibuya, Tokyo, Japan

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tokyo Metropolitan Gymnasium

Sendagaya, Sendagaya, Japan · Exact work coordinates

Focused slot

Hero image

Sporting complex in Sendagaya, Shibuya, Tokyo, Japan

Credit:

Rights: Unknown · unknown

Comparison

Field	Tokyo Metropolitan Gymnasium 1956 · Sendagaya, Sendagaya, Japan	Pier Luigi Nervi 1932 · Rome, Lazio, Italy
Type	work	bureau
Year / years	1956	1932
Place	Sendagaya, Sendagaya, Japan	Rome, Lazio, Italy
Place context	Sendagaya, Sendagaya, Japan	Representative site: Turin, Turin, Italy
Climate	12°C · 13.3h daylight · 2 km/h wind	19°C · 13.7h daylight · 7 km/h wind · via Torino Esposizioni
Focus	Architecture	5 works in corpus
Architects	Fumihiko Maki	Pier Luigi Nervi
Linked context	Bureaus Maki and Associates	Notable works Torino Esposizioni Cathedral of Saint Mary of the Assumption (San Francisco) Norfolk Scope Paul VI Audience Hall
Typologies	building	building church sacred space cathedral education campus building performance venue landscape
Materials	Not recorded yet.	concrete
Carbon signals	building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.	Concrete look like the main embodied-carbon drivers in the current palette. Concrete
Lower-carbon levers	No levers surfaced yet.	Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
Accessibility	Access not recorded	3 of 3 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.