saved.archi

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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Kitaibaraki City, Kitaibaraki City, Japan

13°C · 13.3h daylight · 12 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tenshin Memorial Museum of Art, Ibaraki

Kitaibaraki City, Kitaibaraki City, Japan · Exact work coordinates

OpenStreetMap

Tenshin Memorial Museum of Art, Ibaraki

Image 1

Kitaibaraki City, Kitaibaraki City, Japan

Climate: 13°C · 13.3h daylight · 12 km/h wind

Mapping: Exact work coordinates

Field
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years19971932
PlaceKitaibaraki City, Kitaibaraki City, JapanRome, Lazio, Italy
Place contextKitaibaraki City, Kitaibaraki City, JapanRepresentative site: Turin, Turin, Italy
Climate13°C · 13.3h daylight · 12 km/h wind18°C · 13.7h daylight · 11 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • Hiroshi Naito
  • Pier Luigi Nervi
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • memorial
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials

Not recorded yet.

  • concrete
Carbon signals

museum and memorial gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.