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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Ten Peachtree Place in Midtown Atlanta, United States
Ten Peachtree Place

Unknown · Midtown Atlanta, Midtown Atlanta, United States

Ten Peachtree Place image

High rise office building in Atlanta, Georgia

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Ten Peachtree Place

Midtown Atlanta, Midtown Atlanta, United States · Exact work coordinates

OpenStreetMap
Field
Ten Peachtree PlaceTen Peachtree Place

Unknown · Midtown Atlanta, Midtown Atlanta, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / yearsUnknown1932
PlaceMidtown Atlanta, Midtown Atlanta, United StatesRome, Lazio, Italy
Place contextMidtown Atlanta, Midtown Atlanta, United StatesRepresentative site: Turin, Turin, Italy
Climate7°C · 13.2h daylight · 5 km/h wind16°C · 13.8h daylight · 2 km/h wind · via Torino Esposizioni
FocusOffice building5 works in corpus
Architects
  • Michael Graves
  • Pier Luigi Nervi
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • office
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials
  • stone
  • concrete
Carbon signals

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityAccess not recorded3 of 3 recorded works are publicly accessible
Related books

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