| Type | work | bureau |
|---|
| Year / years | 1926 | 1932 |
|---|
| Place | Stockholm, Stockholm, Sweden | Rome, Lazio, Italy |
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| Place context | Stockholm, Stockholm, Sweden | Representative site: Turin, Turin, Italy |
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| Climate | 10°C · 14.9h daylight · 18 km/h wind | 21°C · 13.7h daylight · 7 km/h wind · via Torino Esposizioni |
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| Focus | Architecture | 5 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | | - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Access not recorded | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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