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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Saint Louis Art Museum in St. Louis, United States
Saint Louis Art Museum

1879 · St. Louis, St. Louis, United States

Saint Louis Art Museum image

Art museum in Saint Louis, Missouri

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Saint Louis Art Museum

St. Louis, St. Louis, United States · Exact work coordinates

OpenStreetMap
Field
Saint Louis Art MuseumSaint Louis Art Museum

1879 · St. Louis, St. Louis, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years18791932
PlaceSt. Louis, St. Louis, United StatesRome, Lazio, Italy
Place contextSt. Louis, St. Louis, United StatesRepresentative site: Turin, Turin, Italy
Climate20°C · 13.4h daylight · 24 km/h wind18°C · 13.8h daylight · 12 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • David Chipperfield
  • Pier Luigi Nervi
Linked context

Bureaus

  • David Chipperfield Architects

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • landscape
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials

Not recorded yet.

  • concrete
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.