| Type | work | bureau |
|---|
| Year / years | 2012 | 1932 |
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| Place | Dallas, Texas, United States | Rome, Lazio, Italy |
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| Place context | Dallas, Texas, United States | Representative site: Turin, Turin, Italy |
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| Climate | 17°C · 13.1h daylight · 9 km/h wind | 14°C · 13.8h daylight · 6 km/h wind · via Torino Esposizioni |
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| Focus | Museum | 5 works in corpus |
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| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
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| Typologies | - museum
- science museum
- cultural building
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
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| Materials | | |
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| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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