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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Perez Art Museum Miami

2013 · Miami, Florida, United States

Miami, Florida, United States

23°C · 12.9h daylight · 7 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Perez Art Museum Miami

Miami, Florida, United States · City-level coordinates only

OpenStreetMap

Perez Art Museum Miami

Image 1

Miami, Florida, United States

Climate: 23°C · 12.9h daylight · 7 km/h wind

Mapping: City-level coordinates only

Field
Perez Art Museum Miami

2013 · Miami, Florida, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years20131932
PlaceMiami, Florida, United StatesRome, Lazio, Italy
Place contextMiami, Florida, United StatesRepresentative site: Turin, Turin, Italy
Climate23°C · 12.9h daylight · 7 km/h wind14°C · 13.8h daylight · 3 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects

No architects linked yet.

  • Pier Luigi Nervi
Linked context

Bureaus

No linked context yet.

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • art museum
  • waterfront building
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials
  • concrete
  • glass
  • wood
  • concrete
Carbon signals

Concrete and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.