| Type | work | bureau |
|---|
| Year / years | 2008 | 1932 |
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| Place | Oslo, Oslo, Norway | Rome, Lazio, Italy |
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| Place context | Oslo, Oslo, Norway | Representative site: Turin, Turin, Italy |
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| Climate | 10°C · 15.0h daylight · 11 km/h wind | 19°C · 13.8h daylight · 5 km/h wind · via Torino Esposizioni |
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| Focus | Opera house | 5 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
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| Typologies | - performance venue
- civic building
- opera house
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
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| Materials | | |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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