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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

WorksBureausMixedReset selection

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Museum of Art, Architecture and Technology

Lisbon, Lisbon, Portugal · Exact work coordinates

OpenStreetMap

Comparison

Field
Museum of Art, Architecture and TechnologyMuseum of Art, Architecture and Technology

2016 · Lisbon, Lisbon, Portugal

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years20161932
PlaceLisbon, Lisbon, PortugalRome, Lazio, Italy
Place contextLisbon, Lisbon, PortugalRepresentative site: Turin, Turin, Italy
Climate16°C · 13.4h daylight · 4 km/h wind16°C · 13.8h daylight · 2 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • Amanda Levete
  • Pier Luigi Nervi
Linked context

Bureaus

  • AL_A

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • cultural building
  • riverfront building
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials
  • ceramic tile
  • concrete
  • glass
  • concrete
Carbon signals

Concrete, Ceramic Tile, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Ceramic Tile
  • Glass

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.