| Type | work | bureau |
|---|
| Year / years | 1954-1957 | 1932 |
|---|
| Place | Athens, Attica, Greece | Rome, Lazio, Italy |
|---|
| Place context | Athens, Attica, Greece | Representative site: Turin, Turin, Italy |
|---|
| Climate | 14°C · 13.4h daylight · 3 km/h wind | 18°C · 13.7h daylight · 11 km/h wind · via Torino Esposizioni |
|---|
| Focus | Landscape and pedestrian system | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | - landscape
- public space
- pedestrian infrastructure
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | - stone
- paving
- salvaged fragments
| |
|---|
| Carbon signals | Paving, Salvaged Fragments, and Stone look like the main embodied-carbon drivers in the current palette. - Paving
- Salvaged Fragments
- Stone
| Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Use classification and product-level EPD research to place this material more precisely.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|