| Type | work | bureau |
|---|
| Year / years | 2012 | 1932 |
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| Place | Cuernavaca, Morelos, Mexico | Rome, Lazio, Italy |
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| Place context | Cuernavaca, Morelos, Mexico | Representative site: Turin, Turin, Italy |
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| Climate | Climate unavailable | Climate unavailable · via Torino Esposizioni |
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| Focus | Art space | 5 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
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| Typologies | - museum
- art center
- adaptive reuse
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | - concrete
- masonry
- painted surfaces
| |
|---|
| Carbon signals | Concrete, Brick, and Painted Surfaces look like the main embodied-carbon drivers in the current palette. - Concrete
- Brick
- Painted Surfaces
| Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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