| Type | work | bureau |
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| Year / years | 1991 | 1932 |
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| Place | Vienna, Vienna, Austria | Rome, Lazio, Italy |
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| Place context | Vienna, Vienna, Austria | Representative site: Turin, Turin, Italy |
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| Climate | 15°C · 14.0h daylight · 17 km/h wind | 20°C · 13.8h daylight · 4 km/h wind · via Torino Esposizioni |
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| Focus | Museum | 5 works in corpus |
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| Architects | - Friedensreich Hundertwasser
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| Linked context | Bureaus - Friedensreich Hundertwasser
| Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
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| Typologies | - museum
- adaptive reuse
- cultural building
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
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| Materials | | |
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| Carbon signals | Brick, Ceramic Tile, and Plaster look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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