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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Kimbell Art Museum

1972 · Fort Worth, Texas, United States

Fort Worth, Texas, United States

16°C · 13.2h daylight · 13 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Kimbell Art Museum

Fort Worth, Texas, United States · City-level coordinates only

OpenStreetMap

Kimbell Art Museum

Image 1

Fort Worth, Texas, United States

Climate: 16°C · 13.2h daylight · 13 km/h wind

Mapping: City-level coordinates only

Field
Kimbell Art MuseumKimbell Art Museum

1972 · Fort Worth, Texas, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years19721932
PlaceFort Worth, Texas, United StatesRome, Lazio, Italy
Place contextFort Worth, Texas, United StatesRepresentative site: Turin, Turin, Italy
Climate16°C · 13.2h daylight · 13 km/h wind17°C · 13.8h daylight · 6 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • Louis Kahn
  • Pier Luigi Nervi
Linked context

Bureaus

  • Louis Kahn

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • art museum
  • cultural building
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials
  • concrete
  • travertine
  • aluminum
  • concrete
Carbon signals

Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette.

  • Aluminum
  • Concrete
  • Travertine

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Focus on recycled content, lighter assemblies, and careful facade-specification choices.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.