| Type | work | bureau |
|---|
| Year / years | 1912 | 1932 |
|---|
| Place | Prague, Prague, Czech Republic | Rome, Lazio, Italy |
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| Place context | Prague, Prague, Czech Republic | Representative site: Turin, Turin, Italy |
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| Climate | 7°C · 14.0h daylight · 13 km/h wind | 18°C · 13.7h daylight · 9 km/h wind · via Torino Esposizioni |
|---|
| Focus | Mixed-use building with museum and cafe | 5 works in corpus |
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| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | - mixed use
- museum
- cafe
- commercial building
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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