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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Gran Hotel Bolivar in Lima, Peru

Hero image

Gran Hotel Bolivar

1924 · Lima, Lima Province, Peru

Gran Hotel Bolivar image

Seed wave 44 image for Gran Hotel Bolivar.

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Gran Hotel Bolivar

Lima, Lima Province, Peru · Exact work coordinates

OpenStreetMap

Comparison

Field
Gran Hotel BolivarGran Hotel Bolivar

1924 · Lima, Lima Province, Peru

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / years19241932
PlaceLima, Lima Province, PeruRome, Lazio, Italy
Place contextLima, Lima Province, PeruRepresentative site: Turin, Turin, Italy
Climate24°C · 11.8h daylight · 12 km/h wind18°C · 13.7h daylight · 5 km/h wind · via Torino Esposizioni
FocusHotel5 works in corpus
Architects
  • Rafael Marquina
  • Pier Luigi Nervi
Linked context

Bureaus

  • Rafael Marquina

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • hotel
  • historic building
  • urban landmark
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials
  • masonry
  • concrete
  • ornamental stone
  • concrete
Carbon signals

Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

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