| Type | work | bureau |
|---|
| Year / years | 1900 | 1932 |
|---|
| Place | Orchard, Orchard, Singapore | Rome, Lazio, Italy |
|---|
| Place context | Orchard, Orchard, Singapore | Representative site: Turin, Turin, Italy |
|---|
| Climate | 29°C · 12.2h daylight · 5 km/h wind | 16°C · 13.8h daylight · 2 km/h wind · via Torino Esposizioni |
|---|
| Focus | House | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | - house
- hospitality
- landscape
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|