| Type | work | bureau |
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| Year / years | 2013 | 1932 |
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| Place | Dunkirk, Hauts-de-France, France | Rome, Lazio, Italy |
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| Place context | Dunkirk, Hauts-de-France, France | Representative site: Turin, Turin, Italy |
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| Climate | 12°C · 14.2h daylight · 25 km/h wind | 20°C · 13.8h daylight · 6 km/h wind · via Torino Esposizioni |
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| Focus | Art center | 5 works in corpus |
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| Architects | - Anne Lacaton
- Jean-Philippe Vassal
- Lacaton & Vassal
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| Linked context | Bureaus - Lacaton & Vassal
- Lacaton & Vassal
| Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
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| Typologies | - museum
- adaptive reuse
- cultural building
| - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
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| Materials | | |
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| Carbon signals | Steel, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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