| Type | work | bureau |
|---|
| Year / years | 1922 | 1932 |
|---|
| Place | Mumbai City district, Mumbai City district, India | Rome, Lazio, Italy |
|---|
| Place context | Mumbai City district, Mumbai City district, India | Representative site: Turin, Turin, Italy |
|---|
| Climate | 29°C · 12.7h daylight · 5 km/h wind | 15°C · 13.8h daylight · 8 km/h wind · via Torino Esposizioni |
|---|
| Focus | Museum | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | | - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|
