saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Center for Maine Contemporary Art

Unknown · Maine, Maine, United States

Maine, Maine, United States

3°C · 13.7h daylight · 25 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Center for Maine Contemporary Art

Maine, Maine, United States · Exact work coordinates

OpenStreetMap

Center for Maine Contemporary Art

Image 1

Maine, Maine, United States

Climate: 3°C · 13.7h daylight · 25 km/h wind

Mapping: Exact work coordinates

Field
Center for Maine Contemporary Art

Unknown · Maine, Maine, United States

Pier Luigi NerviPier Luigi Nervi

1932 · Rome, Lazio, Italy

Typeworkbureau
Year / yearsUnknown1932
PlaceMaine, Maine, United StatesRome, Lazio, Italy
Place contextMaine, Maine, United StatesRepresentative site: Turin, Turin, Italy
Climate3°C · 13.7h daylight · 25 km/h wind15°C · 13.8h daylight · 8 km/h wind · via Torino Esposizioni
FocusMuseum5 works in corpus
Architects
  • Toshiko Mori
  • Pier Luigi Nervi
Linked context

Bureaus

  • Toshiko Mori Architect

Notable works

  • Torino Esposizioni
  • Cathedral of Saint Mary of the Assumption (San Francisco)
  • Norfolk Scope
  • Paul VI Audience Hall
Typologies
  • museum
  • gallery
  • performance venue
  • civic building
  • building
  • church
  • sacred space
  • cathedral
  • education
  • campus building
  • performance venue
  • landscape
Materials

Not recorded yet.

  • concrete
Carbon signals

museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.