| Type | work | bureau |
|---|
| Year / years | 1879 | 1932 |
|---|
| Place | Chicago, Chicago, United States | Rome, Lazio, Italy |
|---|
| Place context | Chicago, Chicago, United States | Representative site: Turin, Turin, Italy |
|---|
| Climate | 8°C · 13.5h daylight · 17 km/h wind | 18°C · 13.7h daylight · 9 km/h wind · via Torino Esposizioni |
|---|
| Focus | Museum | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Renzo Piano Building Workshop
| Notable works - Torino Esposizioni
- Cathedral of Saint Mary of the Assumption (San Francisco)
- Norfolk Scope
- Paul VI Audience Hall
|
|---|
| Typologies | | - building
- church
- sacred space
- cathedral
- education
- campus building
- performance venue
- landscape
|
|---|
| Materials | | |
|---|
| Carbon signals | Aluminum and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|