| Type | work | bureau |
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| Year / years | 1977-1986 | 1949 |
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| Place | Sao Paulo, Brazil | New York, New York, United States |
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| Place context | Rua Clélia, Pompéia, São Paulo, São Paulo, Brasil | Representative site: Boylston Street, Back Bay, Boston, Massachusetts, United States |
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| Climate | 25°C · 11.6h daylight · 11 km/h wind | 14°C · 13.2h daylight · 26 km/h wind · via Boston Central Library |
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| Focus | Cultural and sports center | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Boston Central Library
- Munson-Williams-Proctor Arts Institute
- Glass House (New Canaan, Connecticut)
- Kunsthalle Bielefeld
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| Typologies | - adaptive reuse
- cultural center
- sports and leisure
| - library
- museum
- education
- house
- church
- sacred space
- campus building
- housing
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| Materials | | |
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| Carbon signals | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. | Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
| - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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