| Type | work | bureau |
|---|
| Year / years | 2009 | 1949 |
|---|
| Place | Shenzhen, Shenzhen, People's Republic of China | New York, New York, United States |
|---|
| Place context | Shenzhen, Shenzhen, People's Republic of China | Representative site: Boston, Boston, United States |
|---|
| Climate | 26°C · 12.6h daylight · 4 km/h wind | 17°C · 13.3h daylight · 26 km/h wind · via Boston Central Library |
|---|
| Focus | Landscape project | 13 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Boston Central Library
- Munson-Williams-Proctor Arts Institute
- Glass House (New Canaan, Connecticut)
- Queens Theatre (New York City)
|
|---|
| Typologies | - hospitality
- office
- landscape
| - library
- museum
- education
- house
- performance venue
- landscape
- church
- sacred space
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | hospitality, office, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|