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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

St. Mary's Cathedral, Tokyo in Sekiguchi, Japan
St. Mary's Cathedral, Tokyo

1964 · Sekiguchi, Sekiguchi, Japan

St. Mary's Cathedral, Tokyo image

Seat of the Roman Catholic Archdiocese of Tokyo

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

St. Mary's Cathedral, Tokyo

Sekiguchi, Sekiguchi, Japan · Exact work coordinates

OpenStreetMap

St. Mary's Cathedral, Tokyo

Hero image

Seat of the Roman Catholic Archdiocese of Tokyo

Credit:

Rights: Unknown · unknown

Field
St. Mary's Cathedral, TokyoSt. Mary's Cathedral, Tokyo

1964 · Sekiguchi, Sekiguchi, Japan

Peter CelsingPeter Celsing

1940 · Stockholm, Stockholm County, Sweden

Typeworkbureau
Year / years19641940
PlaceSekiguchi, Sekiguchi, JapanStockholm, Stockholm County, Sweden
Place contextSekiguchi, Sekiguchi, JapanRepresentative site: Uppsala Municipality, Uppsala Municipality, Sweden
Climate20°C · 13.3h daylight · 7 km/h wind12°C · 15.1h daylight · 14 km/h wind · via Carolina Rediviva
FocusSacred building3 works in corpus
Architects
  • Kenzo Tange
  • Peter Celsing
Linked context

Bureaus

  • Kenzo Tange Associates

Notable works

  • Carolina Rediviva
  • Blackeberg metro station
  • The House of Culture (Stockholm)
Typologies
  • cathedral
  • sacred space
  • library
  • education
  • campus building
  • building
  • house
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

cathedral and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

library, education, campus building, and building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.