| Type | work | bureau |
|---|
| Year / years | 2017 | 1940 |
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| Place | Hamburg, Hamburg, Germany | Stockholm, Stockholm County, Sweden |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Uppsala Municipality, Uppsala Municipality, Sweden |
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| Climate | 7°C · 14.4h daylight · 16 km/h wind | 10°C · 15.0h daylight · 18 km/h wind · via Carolina Rediviva |
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| Focus | Concert hall | 3 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Carolina Rediviva
- Blackeberg metro station
- The House of Culture (Stockholm)
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - library
- education
- campus building
- building
- house
|
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| Materials | | Not recorded yet. |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | library, education, campus building, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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