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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Boa Nova Tea House

1958-1963 · Matosinhos, Porto District, Portugal

Matosinhos, Porto District, Portugal

10°C · 13.5h daylight · 4 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Boa Nova Tea House

Matosinhos, Porto District, Portugal · Exact work coordinates

OpenStreetMap

Boa Nova Tea House

Image 1

Matosinhos, Porto District, Portugal

Climate: 10°C · 13.5h daylight · 4 km/h wind

Mapping: Exact work coordinates

Field
Boa Nova Tea House

1958-1963 · Matosinhos, Porto District, Portugal

Peter CelsingPeter Celsing

1940 · Stockholm, Stockholm County, Sweden

Typeworkbureau
Year / years1958-19631940
PlaceMatosinhos, Porto District, PortugalStockholm, Stockholm County, Sweden
Place contextMatosinhos, Porto District, PortugalRepresentative site: Uppsala Municipality, Uppsala Municipality, Sweden
Climate10°C · 13.5h daylight · 4 km/h wind3°C · 14.8h daylight · 8 km/h wind · via Carolina Rediviva
FocusTea house and restaurant3 works in corpus
Architects
  • Alvaro Siza
  • Peter Celsing
Linked context

Bureaus

  • Álvaro Siza Vieira

Notable works

  • Carolina Rediviva
  • Blackeberg metro station
  • The House of Culture (Stockholm)
Typologies
  • hospitality
  • coastal building
  • restaurant
  • library
  • education
  • campus building
  • building
  • house
Materials
  • concrete
  • wood
  • glass

Not recorded yet.

Carbon signals

Concrete and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass

library, education, campus building, and building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.