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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

One57 in Manhattan, United States
One57

2014 · Manhattan, Manhattan, United States

One57 image

Residential skyscraper in Manhattan, New York

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

One57

Manhattan, Manhattan, United States · Exact work coordinates

OpenStreetMap
Field
One57One57

2014 · Manhattan, Manhattan, United States

Pedro Ramírez VázquezPedro Ramírez Vázquez

1945 · Mexico City, Mexico City, Mexico

Typeworkbureau
Year / years20141945
PlaceManhattan, Manhattan, United StatesMexico City, Mexico City, Mexico
Place contextManhattan, Manhattan, United StatesRepresentative site: Miguel Hidalgo, Miguel Hidalgo, Mexico
Climate20°C · 13.4h daylight · 4 km/h wind16°C · 12.6h daylight · 7 km/h wind · via Museo de Arte Moderno
FocusLandscape project5 works in corpus
Architects
  • Christian de Portzamparc
  • Pedro Ramirez Vazquez
Linked context

Bureaus

  • Christian de Portzamparc

Notable works

  • Museo de Arte Moderno
  • National Museum of Anthropology (Mexico)
  • Estadio Azteca
  • Basilica of Our Lady of Guadalupe
Typologies
  • tower
  • hospitality
  • landscape
  • museum
  • landscape
  • sports venue
  • church
  • sacred space
  • building
Materials

Not recorded yet.

  • stone
Carbon signals

tower, hospitality, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.