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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

D. T. Suzuki Museum in Hondamachi, Japan
D. T. Suzuki Museum

2011 · Hondamachi, Hondamachi, Japan

D. T. Suzuki Museum image

Building in Ishikawa Prefecture, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

D. T. Suzuki Museum

Hondamachi, Hondamachi, Japan · Exact work coordinates

OpenStreetMap
Field
D. T. Suzuki MuseumD. T. Suzuki Museum

2011 · Hondamachi, Hondamachi, Japan

Pedro Ramírez VázquezPedro Ramírez Vázquez

1945 · Mexico City, Mexico City, Mexico

Typeworkbureau
Year / years20111945
PlaceHondamachi, Hondamachi, JapanMexico City, Mexico City, Mexico
Place contextHondamachi, Hondamachi, JapanRepresentative site: Miguel Hidalgo, Miguel Hidalgo, Mexico
Climate17°C · 13.3h daylight · 4 km/h wind15°C · 12.7h daylight · 4 km/h wind · via Museo de Arte Moderno
FocusMuseum6 works in corpus
Architects
  • Yoshio Taniguchi
  • Pedro Ramirez Vazquez
Linked context

Bureaus

  • Yoshio Taniguchi and Associates

Notable works

  • Museo de Arte Moderno
  • National Museum of Anthropology (Mexico)
  • Estadio Azteca
  • Basilica of Our Lady of Guadalupe
Typologies
  • museum
  • landscape
  • museum
  • landscape
  • sports venue
  • church
  • sacred space
  • building
  • house
Materials

Not recorded yet.

  • stone
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.