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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

200 Vesey Street in Manhattan, United States
200 Vesey Street

1985 · Manhattan, Manhattan, United States

200 Vesey Street image

Office skyscraper in Manhattan, New York

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

200 Vesey Street

Manhattan, Manhattan, United States · Exact work coordinates

OpenStreetMap
Field
200 Vesey Street200 Vesey Street

1985 · Manhattan, Manhattan, United States

Pedro Ramírez VázquezPedro Ramírez Vázquez

1945 · Mexico City, Mexico City, Mexico

Typeworkbureau
Year / years19851945
PlaceManhattan, Manhattan, United StatesMexico City, Mexico City, Mexico
Place contextManhattan, Manhattan, United StatesRepresentative site: Miguel Hidalgo, Miguel Hidalgo, Mexico
Climate8°C · 13.5h daylight · 20 km/h wind20°C · 12.7h daylight · 5 km/h wind · via Museo de Arte Moderno
FocusLandscape project6 works in corpus
Architects
  • César Pelli
  • Pedro Ramirez Vazquez
Linked context

Bureaus

  • Cesar Pelli & Associates

Notable works

  • Museo de Arte Moderno
  • National Museum of Anthropology (Mexico)
  • Estadio Azteca
  • Basilica of Our Lady of Guadalupe
Typologies
  • tower
  • landscape
  • museum
  • landscape
  • sports venue
  • church
  • sacred space
  • building
  • house
Materials
  • steel
  • stone
Carbon signals

Steel look like the main embodied-carbon drivers in the current palette.

  • Steel

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

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