| Type | work | bureau |
|---|
| Year / years | 1972 | 1957 |
|---|
| Place | Fort Worth, Texas, United States | Sao Paulo, Sao Paulo, Brazil |
|---|
| Place context | Fort Worth, Texas, United States | Representative site: Goiânia, Goiânia, Brazil |
|---|
| Climate | 19°C · 13.2h daylight · 15 km/h wind | 30°C · 11.7h daylight · 3 km/h wind · via Estádio Serra Dourada |
|---|
| Focus | Museum | 2 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Estádio Serra Dourada
- National Coach Museum
|
|---|
| Typologies | - museum
- art museum
- cultural building
| - sports venue
- museum
- education
- house
|
|---|
| Materials | - concrete
- travertine
- aluminum
| Not recorded yet. |
|---|
| Carbon signals | Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette. - Aluminum
- Concrete
- Travertine
| sports venue, museum, education, and house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|