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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Kiasma in Helsinki, Finland
Kiasma

1998 · Helsinki, Uusimaa, Finland

Kiasma image

Art museum in Helsinki, Finland

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Kiasma

Helsinki, Uusimaa, Finland · City-level coordinates only

OpenStreetMap
Field
KiasmaKiasma

1998 · Helsinki, Uusimaa, Finland

Typeworkbureau
Year / years1998Unrecorded
PlaceHelsinki, Uusimaa, FinlandUnrecorded
Place contextHelsinki, Uusimaa, FinlandRepresentative site: Basel, Basel, Switzerland
Climate11°C · 15.1h daylight · 12 km/h wind15°C · 13.9h daylight · 10 km/h wind · via Kunstmuseum Basel
FocusMuseum5 works in corpus
Architects
  • Steven Holl
  • Paul Bonatz
Linked context

Bureaus

  • Steven Holl Architects

Notable works

  • Kunstmuseum Basel
  • Stuttgart Hauptbahnhof
  • MHPArena
  • Sachs-Stadion
Typologies
  • museum
  • contemporary art museum
  • cultural building
  • museum
  • building
  • sports venue
Materials
  • zinc
  • glass
  • concrete

Not recorded yet.

Carbon signals

Concrete, Glass, and Zinc look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Zinc

museum, building, and sports venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Use classification and product-level EPD research to place this material more precisely.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.