| Type | work | bureau |
|---|
| Year / years | 2013 | Unrecorded |
|---|
| Place | Dunkirk, Hauts-de-France, France | Unrecorded |
|---|
| Place context | Dunkirk, Hauts-de-France, France | Representative site: Basel, Basel, Switzerland |
|---|
| Climate | 10°C · 14.2h daylight · 12 km/h wind | 12°C · 14.0h daylight · 8 km/h wind · via Kunstmuseum Basel |
|---|
| Focus | Art center | 5 works in corpus |
|---|
| Architects | - Anne Lacaton
- Jean-Philippe Vassal
- Lacaton & Vassal
| |
|---|
| Linked context | Bureaus - Lacaton & Vassal
- Lacaton & Vassal
| Notable works - Kunstmuseum Basel
- Stuttgart Hauptbahnhof
- MHPArena
- Sachs-Stadion
|
|---|
| Typologies | - museum
- adaptive reuse
- cultural building
| - museum
- building
- sports venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. | museum, building, and sports venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|