| Type | work | bureau |
|---|
| Year / years | 1990 | 1968 |
|---|
| Place | Florida, Florida, United States | Paris, Ile-de-France, France |
|---|
| Place context | Florida, Florida, United States | Representative site: Nankō-kita, Nankō-kita, Japan |
|---|
| Climate | 20°C · 13.0h daylight · 16 km/h wind | 17°C · 13.2h daylight · 5 km/h wind · via Osaka Maritime Museum |
|---|
| Focus | Performance venue | 4 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Osaka Maritime Museum
- Guangzhou Gymnasium
- Oriental Art Center
- Suzhou Culture and Arts Centre
|
|---|
| Typologies | - performance venue
- hospitality
| - museum
- building
- performance venue
- landscape
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|