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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Walt Disney World Dolphin in Florida, United States
Walt Disney World Dolphin

1990 · Florida, Florida, United States

Walt Disney World Dolphin image

Hotel at Walt Disney World

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Walt Disney World Dolphin

Florida, Florida, United States · Exact work coordinates

OpenStreetMap
Field
Walt Disney World DolphinWalt Disney World Dolphin

1990 · Florida, Florida, United States

Paul AndreuPaul Andreu

1968 · Paris, Ile-de-France, France

Typeworkbureau
Year / years19901968
PlaceFlorida, Florida, United StatesParis, Ile-de-France, France
Place contextFlorida, Florida, United StatesRepresentative site: Nankō-kita, Nankō-kita, Japan
Climate20°C · 13.0h daylight · 16 km/h wind17°C · 13.2h daylight · 5 km/h wind · via Osaka Maritime Museum
FocusPerformance venue4 works in corpus
Architects
  • Michael Graves
  • Paul Andreu
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • Osaka Maritime Museum
  • Guangzhou Gymnasium
  • Oriental Art Center
  • Suzhou Culture and Arts Centre
Typologies
  • performance venue
  • hospitality
  • museum
  • building
  • performance venue
  • landscape
Materials
  • timber

Not recorded yet.

Carbon signals

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.

No levers surfaced yet.

AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.