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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

Hero image

Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

OpenStreetMap

Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Paul AndreuPaul Andreu

1968 · Paris, Ile-de-France, France

Typeworkbureau
Year / years19301968
PlaceMontevideo, Montevideo Department, UruguayParis, Ile-de-France, France
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Nankō-kita, Nankō-kita, Japan
Climate20°C · 11.0h daylight · 4 km/h wind11°C · 13.3h daylight · 15 km/h wind · via Osaka Maritime Museum
FocusHouse museum4 works in corpus
Architects
  • Julio Vilamajo
  • Paul Andreu
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Osaka Maritime Museum
  • Guangzhou Gymnasium
  • Oriental Art Center
  • Suzhou Culture and Arts Centre
Typologies
  • house
  • museum
  • residence
  • museum
  • building
  • performance venue
  • landscape
Materials
  • masonry
  • stucco
  • timber

Not recorded yet.

Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.

No levers surfaced yet.

AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.