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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

The Tsentrosoyuz Building in Krasnoselsky District, Russia
The Tsentrosoyuz Building

1928 · Krasnoselsky District, Krasnoselsky District, Russia

The Tsentrosoyuz Building image

Building of Myasnitskaya Street, Russia

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

The Tsentrosoyuz Building

Krasnoselsky District, Krasnoselsky District, Russia · Exact work coordinates

OpenStreetMap
Field
The Tsentrosoyuz BuildingThe Tsentrosoyuz Building

1928 · Krasnoselsky District, Krasnoselsky District, Russia

Paul AndreuPaul Andreu

1968 · Paris, Ile-de-France, France

Typeworkbureau
Year / years19281968
PlaceKrasnoselsky District, Krasnoselsky District, RussiaParis, Ile-de-France, France
Place contextKrasnoselsky District, Krasnoselsky District, RussiaRepresentative site: Nankō-kita, Nankō-kita, Japan
Climate2°C · 14.5h daylight · 12 km/h wind18°C · 13.2h daylight · 18 km/h wind · via Osaka Maritime Museum
FocusPerformance venue4 works in corpus
Architects
  • Le Corbusier
  • Paul Andreu
Linked context

Bureaus

  • Atelier Le Corbusier

Notable works

  • Osaka Maritime Museum
  • Guangzhou Gymnasium
  • Oriental Art Center
  • Suzhou Culture and Arts Centre
Typologies
  • performance venue
  • office
  • museum
  • building
  • performance venue
  • landscape
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

performance venue and office gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.