| Type | work | bureau |
|---|
| Year / years | 1984 | 1968 |
|---|
| Place | Pittsburgh, Pittsburgh, United States | Paris, Ile-de-France, France |
|---|
| Place context | Pittsburgh, Pittsburgh, United States | Representative site: Nankō-kita, Nankō-kita, Japan |
|---|
| Climate | 18°C · 13.4h daylight · 7 km/h wind | 15°C · 13.2h daylight · 15 km/h wind · via Osaka Maritime Museum |
|---|
| Focus | Architecture | 4 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Osaka Maritime Museum
- Guangzhou Gymnasium
- Oriental Art Center
- Suzhou Culture and Arts Centre
|
|---|
| Typologies | | - museum
- building
- performance venue
- landscape
|
|---|
| Materials | Not recorded yet. | Not recorded yet. |
|---|
| Carbon signals | building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|